Lampworking Tips & Techniques Any lampworker who has ever attempted to work with 'striking' glass has experienced the struggle. How do you get all those fabulous color ranges and not just boring tan? Not that tan is a bad color ... but when you spend a small fortune on premium striking glass, tan is not the desired outcome. If we go way back into the glass time machine, the whole striking glass frenzy started with a furnace glass: Reichenbach R-108 Iris Orange - lovingly nicknamed 'Raku' by the lampworking community ... now I'm sounding like a food blogger 😉 There have been countless forum threads, e-books, tutorials, and conversations around how to get Raku to do its magic. Every single one of them has excellent information that anyone who chooses to work with this glass will benefit by reading and watching. I am no expert. I still can't get the full color range I want out of this glass after all this time. However, if we break down the already kno...
Comments
Post a Comment